George Orwell Studies

George Orwell in the 1940s. Permission Vernon Richards estate.

Researching and analysing the 20th century’s most influential author.

Professor Tim Crook is the joint editor of the George Orwell Studies Journal published by Abramis. He has been researching and writing about Orwell, his life, novels and journalism for many decades. This online resource contains illustrated versions of his academic publications and continuing original work in the area of George Orwell Studies. If you are visiting from a university anywhere in the world I would strongly advise you to persuade your library to subscribe to this journal. Personal UK, European and rest of the world annual subscriptions are available at £45, £50 and £55.

Abramis and Professor Tim Crook have agreed to make available Tim’s paper ‘Only Donkeys survive tyranny and Dictatorship: Was Benjamin George Orwell’s alter ego in Animal Farm? on Open Access and the pdf can be downloaded via the link embedded in the title.

George Orwell (1903-1950) died far too early from the advanced ravages of tuberculosis at University College Hospital in London but in an active and dramatic life of nearly 47 years he completed two highly influential novels for which he is most famous- Animal Farm (1945) and Nineteen Eighty-Four (1949). He also wrote other qualitative novels, a huge canon of political polemics, literary essays and regular journalism. His journalism sustained the novel writing because the fiction did not bring him enough income until the success of his last two books. It has been argued that his writings and observations on popular culture brought about the invention of the academic discipline of cultural studies.

Orwell has to be one of the most referenced and quoted authors of today in all forms of journalism and multimedia. Following the exhaustion of the copyright in his novels, some contemporary authors are even reinventing his works through the point of view of novel characters such as Julia in Nineteen Eighty-Four. Polemics attacking his personal character are being published in hybrid fiction and non-fiction. He is as controversial now as he was in his lifetime.

Online multimedia features are under construction and in progress. The research and content is strictly copyrighted and all rights are reserved. No Artificial Intelligence whatsoever is involved in the creation and development of this work.

There are always costs of research and writing incurred in the production of these unique multimedia online features. At the end of each posting there is an opportunity to make a one-off donation of £1, £5 or £10. You can also volunteer to subscribe at £1 a month or £12 a year. Such generosity can provide the resources for more work on this project and support the eventual completion publications in the subject of George Orwell Studies. Subscribing means you will get a personal newsletter style email of every new posting on the Kultura Press website. You can choose to opt in and out of the many historical and cultural projects provided here.

Please be advised that following subscription if you need to log back in you will need to enter your registered email address, click on login and you will be sent a verification code to that email address. After entering the code you will have access to any future behind paywall pages at kulturapress.com

Postings on George Orwell Studies in progress and under construction

New insights into George Orwell’s life and writings

The image above shows the dust wrapper of the first edition of Secker & Warburg’s publication of George Orwell’s Nineteen Eighty-Four in 1949 (By permission of the George Orwell Estate and UCL Special Collection). It would quickly become the dystopian projection in literature of the endpoint for life in totalitarian societies and drew on the lessons of Nazi Germany and Stalin’s Soviet Union. In this novel Orwell created the phenomenon of Newspeak – the oppressive control of thinking through language. Kultura Press George Orwell Studies will be providing resources on the analysis and significance of this work.

Many thanks for your visit.