Writing Audio Drama offers a comprehensive and intelligent guide to writing sound drama for broadcasting and online. This book uses original research on the history of writing radio plays in the UK and USA to explore how this has informed and developed the art form for more than 100 years.
Audio drama in the context of podcasting is now experiencing a global and exponential expansion. Through analysis of examples of past and present writing, the author explains how to create drama which can explore deeply psychological and intimate themes and achieve emotional, truthful, entertaining and thought-provoking impact. Practical analysis of the key factors required to write successful audio drama is covered in chapters focusing on audio play beginnings and openings, sound story dialogue, sustaining the sound story, plotting for sound drama, and the best ways of ending audio plays. Chapters are supported by online resources which expand visually on subjects discussed and point to exemplar sound dramas referenced in the chapters.
This textbook will be an important resource for advanced undergraduate and postgraduate students taking courses such as Podcasting, Radio, Audio Drama, Scriptwriting, and Media Writing.
Updates and additions for ‘Chapter 5 Beginning the Sound Story’ in Writing Audio Drama by Tim Crook published by Routledge in 2023.
The consensus in audio and radio drama writing is that no liberties can be taken with a listener’s patience and attention.
The first few minutes are critical.
Without hooking and driving the audience to excitement, enigmatic intensity, intrigue and curiosity, dramatist and producer fail together.
What is the advantage of symmetry and to what extent can mystery be accentuated in sound play beginnings?
Chapter includes detailed analysis of the beginning of the following plays: Vissi ‘d’arte by Paul Sirett, Cigarettes and Chocolate by Anthony Minghella, Sorry, Wrong Number by Lucille Fletcher, The War of the Worlds by Howard Koch, three radio plays in Destination Freedom by Richard Durham, The Wasted Years by Caryl Phillips Lifetime by Nigel D. Moffatt, Undecided Molecule by Norman Corwin and The Battle of the Warsaw Ghetto by Morton Wishengrad.